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Confronting the Wildness of Nature in Athens, Georgia


photo of a small girl standing on a path at the edge of a sunny forest flooded with brown water
Irina Rozovsky. “Untitled,” 2018. In “A Lengthy Arc: Images and the American South” (Aperture).

{A photograph} that dramatizes the facility of nature

Wchicken the photographer Irina Rozovsky moved from Boston to Athens, Georgia, she started taking walks round her new community. She’d push her daughter’s stroller to a close-by wooded trail, seeking to get the infant to sleep, and {photograph} what she may alongside the best way. Someday in 2018, after a hurricane, the trail was once flooded. A tender lady stood within the vivid solar on the fringe of the murky water, gazing the abnormal new scene earlier than her—“confronting the implausible,” as Rozovsky places it. The picture reminded Rozovsky of the fairy-tale trope of a kid getting misplaced within the wooded area. “It’s each a romance and a nightmare,” she instructed me.

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Rozovsky’s untitled {photograph} will likely be on show q4 on the Prime Museum of Artwork in Atlanta, as a part of the exhibition “A Lengthy Arc: Images and the American South Since 1845.” In an advent to an accompanying guide, the Atlantic contributing creator Imani Perry displays at the Twenty first-century photographers who seize the area’s unique landscapes with compositions that evoke a Nineteenth-century sense of the elegant. Within the South, Perry writes, “nature takes over the entirety that people create and spoil.”

Rozovsky insists that the paintings isn’t making an environmental remark. As a mom, she worries in regards to the function that people have performed in warming the arena her daughter will inherit. However as a photographer, she instructed me, she was once attracted to this actual scene for its “serene and surreal” good looks, its unsettling scale.

A relative newcomer to the South, Rozovsky has been struck via the top drama of its nature. “It may be so wild,” she stated, even simply down the road in Athens. She’s no longer non secular—but if bushes fall, or a trail floods like this, Rozovsky stated, it might really feel virtually biblical. “There’s one thing higher than us.”


This text seems within the October 2023 print version with the headline “Confronting the Incredible.” While you purchase a guide the use of a hyperlink in this web page, we obtain a fee. Thanks for supporting The Atlantic.

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